Snitches And Glitches

Saturday, 24 January 2009

Snitches And Glitches

Hello im here to help YOU do better at YOUR games by teaching YOU how to do better at your games also how to do glitches and the best way it works for me and should help YOU in the same way it helps me im not saying that you should glitch in your games to get cheap kills I will also teach you tecniqes on how to play the game well but glitching in a ranked game will result in a ban not a permanent ban first time. I have been baned fo 24 hours once for glitching but moving on here's a list of games i know sum glitches and tricks on

Call of Duty 4
Call of Duty 5
Fallout 3
Resistance Fall of Man
Resistance 2
Burnout paradise
Rainbow six Vegas 2

And others i will be posting all diffrent videos pictures and will have a website soon and also doing game reviews and HELP YOU to pick a good game to spend YOUR HARD EARND CASH on OU

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It's properly violent War is hell. Serious, organ-pulping hell. Lob a grenade into a packed bunker and you'll scatter more limbs than the opening scene of Saving Private Ryan. Pack a powerful piece (we found the shotgun the most smirkingly effective) and you can even take your foes' limbs off at close range. Low on ammo? Whip out your knife or charge with your bayonet. Both result in a grin-inducing claret geyser and a highly gratifying mêlée kill.Kiefer Sutherland’s in itThe booze-loving actor voices your squad leader in the Pacific portion of the campaign. We accidentally shot him in the arse, and got a Bauer-esque earful for our troubles. FlamethrowersDoom introduced us to the BFG. Half-Life 2 had the gravity gun. Halo? Plasma rifles. World At War has flamethrowers. Massive, fire-chucking monsters destined to be the tool of choice for deathmatch showdowns. And they’re not just for mindless incineration. Some enemies will hide in trees, which you can burn down, then cackle with glee as the flames spread to nearby bushes and flush out their camouflaged comrades. Feeling evil? Crank up the surround sound and revel in their tortured cries of pain. Then maybe seek counselling.

There's vehicles in multiplayerFor all its awesomeness, Call Of Duty 4 didn't allow you to climb into a tank and flatten an entire team of xbox Live adversaries. Many saw this as a good thing, since it disabled the highly effective "find tank, drive tank, win" tactic. World At War delivers a vehicular compromise: you can choose to fight your online battles with or without the help of heavy armour. It’s built around an award-winning game engineDevelopers Treyarch smartly chose to adopt Call Of Duty 4's game engine, rather than go back to the heavily flawed model they built for CoD3. Which basically means that anybody who's played Modern Warfare (as in twelve million of you) will be able to instantly and intuitively get to grips with World At War. Then promptly get bummed online. You can play the campaign mode with mates Getting relentlessly dicked on by Hitler's goons? Got one or more mates with some internet? Take advantage of one of the game's biggest new features – online co-op. You can draft up to three extra squad members, then plan tactics and bellow "GET TO DA CHOPPA!" over your Xbox Live headsets. Better still, playing in co-op mode racks up experience points for skilful play, all of which contributes towards your online ranking, unlocking more weapons and perks to play with in deathmatches.

It's been in development for two yearsThe CoD fanbase heaved a collective groan when publishers Activision revealed that Call Of Duty 3 developers Treyarch would be behind the series’ fifth instalment. Thankfully, they've had more than twice as long to work on World At War. And believe us, it shows.Missions are open-endedPrevious titles in the series have been justly accused of linear gameplay. And while there’s no open world free-roaming like in GTA4 or the upcoming Far Cry 2, there’s added replay value in the single-player campaign thanks to multiple outcomes. For example, towards the end of one of the missions we played, we stumbled across a group of three unarmed German soldiers. Needless to say we demolished them like a trio of tasty bratwurst. But had we been morally inclined to let them live, the consequences would have effected our campaign.

The enemies are mental The Pacific storyline brings a whole new enemy to the series. According to Hank Keirsey – the series’ eagle-eyed military advisor – Japanese WWII soldiers were among the most ruthless, employing devious battle tactics and suicidal attacks. So prepare to be shot at from trees, gang-ambushed and Banzai charged with bayonets. You will shit your pants. At least once. You can destroy practically anythingThanks to painstaking attention to ballistic physics, World At War lets you blow up more of your surroundings than ever before. We played through both a claustrophobic interior level and an open, jungle-based mission, dislodging assorted scenery with grenades and Molotov cocktails.

Two years after the Helghast assault on Vekta, the ISA is taking the fight to the enemy's home world of Helghan. The ISA goal is direct: capture the Helghast leader, Emperor Visari, and bring the Helghast war machine to a halt. Assuming the role of Sev, a battle-hardened veteran and a member of the special forces unit known as the Legion, players lead a group of highly trained soldiers on a mission to take out the Helghast threat. For Sev and his squad, the invasion of Helghan is just the beginning. Tasked with securing Pyrrhus, the Capital City, the team quickly discovers that the Helghast are a formidable enemy on their home planet. Not only have they adjusted to the planet's hostile conditions, they have also harnessed a source of power they can now use against the ISA. Sev discovers his squad isn't just fighting enemy forces – their fiercest opponent may be the planet itself.

Nariko in Heavenly Sword. Cloud Strife in Final Fantasy VII. And now Afro Samurai. These are the characters that you remember for their remarkable hairstyles, though Namco Bandai's newest hack-and-slash action game offers more than just a curly coif that reaches for the heavens. It is an entertaining and thoroughly gory offering that contrasts sumptuous environments and crisp cel-shaded characters with shocking sights of slow-motion dismemberment. In Afro Samurai, you'll chop ninjas in half and watch their disembodied torsos drag themselves along by the arms until they collapse in a pool of blood. Sights like these make for some wickedly satisfying combat, though in other areas, the game falls noticeably short of the standards set by genre predecessors such as Ninja Gaiden and Devil May Cry. Clumsy platforming and pacing inconsistencies keep Afro Samurai from reaching its potential, but the entertaining combat and dedication to its subject matter keep it from being just another forgettable button masher.

If you're familiar with the Afro Samurai anime, you'll undoubtedly enjoy experiencing the events depicted in the series, as well as several that aren't. If you're new to the franchise, the most important thing to know is this: You are a big-haired, cigarette-chomping dude who knows a thing or two about blades. This is a revenge tale, and as Afro, the wearer of the Number Two headband, you're out to defeat your father's killer--the current Number One. Even if you're not familiar with every character (the neurotic, potty-mouthed Ninja Ninja; the demure Okiku), the game's vibe has a way of pulling you in. Split-screen sequences in and out of combat embrace the game's anime theme; a fantastic hip-hop soundtrack tinged with Far Eastern harmonies enhances every slice and dice; and energetic voice acting from Samuel L. Jackson and other recognizable talents lends humor and gravitas in turn. Afro neophytes may not be drawn in by the plot, but they'll find it hard to escape the lush but violent atmosphere.
At the forefront of this vibe is Afro Samurai's combat, which cribs from most games of its type. You can issue weak and strong attacks, kick your enemies around, and string these three basic moves into a variety of combos. You'll spill a lot of blood using these simple actions, but if you really want to punish your acrobatic foes, it's better to enter focus mode and watch the guts fly. With a pull of the trigger, you can slow down time, adjust your blade's trajectory a bit, and lop heads, digits, or entire limbs off of your smack-talking enemies. You have to charge up focus mode by landing combos, but you will never go without the ability for long, and the resulting mix of old-fashioned button mashing and focus-powered slaughter is satisfying and fun. A few other moves help mix things up, such as sprint attacks, parrying, and bullet deflection (tricky to time properly but well worth the trouble). As long as you're facing a typical crowd of ninjas and a miniboss or two, it's all a drippy delight.
Once you're outside of combat (an all too frequent occurrence), Afro Samurai trips over its own feet, thanks largely to unpleasant platforming mechanics. The inelegant jumping sections are easy to stomach in small doses, but they're strung into long and frustrating sequences late in the game--one of which you have to repeat if you die at the hands of the boss that appears afterward. You can wall-run here and there, and leap up and grab certain ledges, but as a rule, you can perform these moves only when the game wants you to, and they're purely for getting from one spot to the next. You can't string them into combat moves a la Ninja Gaiden, and rough animations make these acrobatics look as awkward as they feel.

This leaves the burden of entertainment purely on the combat, and it's usually up to the task. At its best, Afro Samurai keeps pushing you forward, throwing a few different types of foes at you and tossing in various objectives, such as throwing foes into an electrical apparatus or flipping a switch here and there. A few set-piece battles are also a total blast, particularly an exhilarating freefall sequence that might leave you breathless. A couple of boss battles are good fun as well, such as one versus an endlessly self-cloning rival, and the easy but moody final boss battle. Some levels, such as a protracted fight versus Kuma, are lighter on combat but succeed thanks to pensive ambience, entertaining scriptwriting, and pure artistic splendor.
But as brutally beautiful as the combat is, it can't support the weight of some inconsistent pacing and the less appealing boss fights. In some levels, you'll wander around without encountering enemies for far too long; in a few others, nonstop waves of enemies will make you scream for variety that never comes. These issues come to a head in the penultimate level: The combat, normally a head rush, gets a bit tedious, the platforming takes center stage, and a few broken checkpoints might force you to replay sequences that you've already plowed through. The boss fights afterward aren't much of an improvement, spamming some cheap moves rather than providing a true challenge. The camera certainly doesn't help matters; it isn't completely broken, but it has a tendency to get hung up behind objects in the smaller combat areas or jitter around if you move it into certain positions. A related oddity is the lack of camera customization. You can adjust the Y-axis settings but not the X axis, which means that you are forced to deal with inverted camera settings when moving it from side to side. If you prefer standard settings, this frustration will simply exacerbate the other camera issues.
Nevertheless, Afro Samurai is an appealing game, and its visual style and pulsing soundtrack drives this success. The art style doesn't rely on simple cel-shading, but rather infuses this familiar technique with soft colors, muted lighting, and crosshatched textures. It's a unique look, and the gushers of rust-hued blood contrast nicely with the gently lit environments. When you enter focus mode, most of the environmental color washes away, making the gruesome cleaving of a bare-breasted ninja a bloody sight to behold. Jittery animations and other technical flaws can get in the way--particularly in the PlayStation 3 version, which suffers from minor but noticeable frame-rate drops, especially during split-screen incidents--but these rarely detract from the appealing visual design. Likewise, the occasionally lackluster sound effects can't detract from a superb hip-hop soundtrack (inspired by, as opposed to composed by, rapper RZA) and fantastic, lively voice-overs.

Its flaws are noticeable, but Afro Samurai is ultimately a lot of fun. It isn't the next action classic, but it embraces its subject matter with vigor and delivers equally dynamic combat in spades. You can squeeze a good seven hours of enjoyment out of the experience the first time around, and hidden items and ensuing unlockables may drive you to return, if the fun and ferocious combat isn't reason enough. In other words, it's a problematic but ultimately worthwhile reason to don the Number Two headband and see that justice is done--and that Justice is done in.

LATEST NEWS

F.E.A.R. 2: Project Origin Goes Gold

Warner Bros. Interactive Entertainment is excited to announce that F.E.A.R. 2: Project Origin has officially “gone gold” on the Xbox 360, PS3 and PC and will ship to retailers in North America on February 10, 2009. The sequel to the critically-acclaimed supernatural first-person shooter F.E.A.R., F.E.A.R. 2: Project Origin ushers in a new dimension of paranormal horror, cinematic combat and highly kinetic action.
To celebrate the news, a downloadable version of the “Intel Briefing” video has launched. The new video is packed with sensitive material and classified information surrounding the upcoming game, and will help players bridge the gap between the original game and F.E.A.R. 2: Project Origin.

THE GODFATHER 2

The Godfather II game goes beyond the film's story by setting players in the world of organized crime in 1960’s Florida, Cuba and New York.
After being promoted by Michael Corleone to Don of New York, players expand to new cities, as they build up their families through extorting businesses, monopolizing illegal crime rings and defeating new families in an effort to become the most powerful mob family in America. To help players manage their empire, The Godfather II introduces "The Don's View" -- an innovative strategy meta-game that allows players to oversee the entire world as they grow the family business. Using the Don's View, players will be able to build, defend and expand their crime rings, while keeping an eye on the movements and plans of the rival families. Players will also learn to master the business of organized crime by building a family of Made Men, hiring crew, handing out orders, and promoting their best men up the ranks

General Features
Set in a stunning open-world environment, The Godfather II expands on the popular gameplay mechanics of the first game and doubles down on the series’ signature BlackHand control scheme, which now features even more visceral hand-to-hand brutality at your fingertips, introducing a new combo system, pressure tactics and executions.
In The Godfather II, players will fight alongside their hand-picked crew, who have their own skills and expertise. Each family member specializes in a specific field such as demolitions, arson, engineering, first-aid and more.
"The Don's View" allows players to oversee the entire world as they grow the family business.

Jason and the Arogonauts

Loosely based on the same Greek myth that inspired the 1963 movie Jason and the Argonauts, Rise of the Argonauts is an action-oriented role-playing game in which you assume the role of King Jason of Iolcus and go in search of the legendary Golden Fleece. All manner of monsters stand between you and your prize, and doing battle with them is a lot of fun. The same can't be said for all of the time you have to spend wandering around and talking to other characters, unfortunately, and the wildly inconsistent frame rate makes even the stop-motion special effects in the aforementioned movie look silky smooth by comparison.

Rise of the Argonauts gets off to a shaky start. The assassination of Jason's bride on their wedding day in the intro sequence ensure that the story is instantly compelling, but poor voice acting, awkward camera angles, questionable animation (Jason negotiating stairs is a must-see for all the wrong reasons), and numerous visual quirks waste no time in conspiring against it. Furthermore, there's not much combat early on, so much of your time is spent trying to navigate Jason's labyrinthine palace and conversing with guards who, save for their different-colored uniforms, all look identical. Iolcus, like the handful of other locations you'll visit after acquiring the Argo, affords very few opportunities for exploration, but it still manages to be confusing enough in its design that you need to refer to the crudely drawn map to locate mission objectives in a timely fashion.
The high point of Rise of the Argonauts is undoubtedly the combat; Jason is skilled in the use of swords, spears, and maces, and he carries one of each as well as a shield at all times. The controls are uncomplicated and responsive, and it's good that they're the same no matter which weapon you're wielding, because you're encouraged to switch between them on the fly. None of the enemies are particularly intelligent, but they're varied enough that you need to employ different weapons and strategies to get the better of them. Your spear can be used to keep overly aggressive enemies at a distance, while your mace is a good choice for destroying the shields of enemies attempting to hide behind them, for example. Putting your own indestructible shield to good use is crucial early on, but as you progress you become much more powerful and can spend more time on the offensive.
Interestingly, you need to go into the options menu if you want any kind of heads-up display for your health during combat. By default, you're supposed to look for visual clues such as blood on the clothing of Jason and his allies to know when they're in trouble, but the combat is so fast-paced that this isn't always possible. Adding the HUD makes it much easier to know when Jason's health is low, though it's not always important because, in keeping with his mythological status, he's a tough guy to keep down. When your health drops to zero you don't die; rather, you enter a "state of grace" in which the screen blurs and you have 10 seconds or so to avoid taking any more damage before you regenerate around half of your health. You'll die if you sustain a single hit during that time, but there are very few enemies who can keep up as you frantically run and roll around.

There are a number of ways in which you become a more formidable fighter as the story progresses. You'll be joined by a handful of allies who will fight alongside you two at a time, you'll be able to add more powerful weapons and armor to your arsenal, and you'll learn new abilities by gaining favor with the gods Ares, Apollo, Athena, and Hermes. Each of the four gods has a skill tree composed of around 25 different "aspects" arranged into tiers so that more powerful ones become available only late in the game. The aspects vary a great deal and include both passive abilities and god powers that must be triggered manually in combat. Passive abilities include things like regenerating health anytime you kill an enemy, doing more damage to shields, and making your allies more powerful. God powers, which are fun but rarely needed outside of the most challenging difficulty mode, include temporary effects such as increased damage, explosions, and the ability to turn enemies into stone.
To purchase any given aspect you need to earn enough favor with the appropriate god to unlock it, which can be an interesting challenge in itself. The most obvious way to earn favor with gods is by dedicating to them any deeds you've accomplished. You can do this at shrines scattered throughout the world or, less elegantly, via an option in the pause menu. When you dedicate a deed to one of the gods, you earn an amount of favor proportional to the scale of your accomplishment. Settling a dispute among two traders is unlikely to impress in the same way that lopping off the heads of 25 enemies is, for example. The second way to curry favor with a god is by selecting dialogue choices that are clearly labeled as being appreciated by them. This can make the act of choosing dialogue a mechanical one if you care more about pleasing a specific god than you do about your interaction with whomever you're talking to, but the conversations feel so unnatural anyway that this is as good a way as any to get through them quickly.
It's unfortunate that so much of your time in Rise of the Argonauts is spent in conversation, because much of the dialogue is poorly written and the voice acting is even worse. It's conceivable that one is the victim of the other, but certainly neither deserves any credit for keeping the story compelling. Even on the rare occasions that the script and the actors work well together, poor sound design results in unnatural pauses and in volume levels that compete with background noise or have you reaching for your TV remote. The lack of believable expressions on characters' faces doesn't help matters, nor do the load screens that frequently appear at the most inopportune times--occasionally so quickly after a piece of dialogue that there's some doubt as to whether or not the character talking was even allowed to finish.

To say that Rise of the Argonauts has pacing issues would be an understatement of Olympian proportions; so much of your time is spent running around and talking to people that combat feels like a rare treat rather than a focus of the game. It's a real shame that getting to the end of this adventure is as much a test of patience as it is a test of skill, because the combat gets increasingly satisfying as your arsenal of moves and equipment grows. It's true that only boss encounters will pose any real challenge on the default difficulty setting toward the end, but by then that feels appropriate because you're wielding godlike weapons and powers that can literally call down lightning from the heavens. With a greater emphasis on combat and fewer technical shortcomings, Rise of the Argonauts could have been easy to recommend. As it is, though, this is a great story poorly told.

Review

helo welcome to my blog soon to be a website! but i am doing reviews on games and i thought that i should do a review on the game i think is the best game ive ever played one reson is becase you have not like many other games freedom to roam a wide map and encounter random stories also it has trophies and achevments that are almost to easy to get also the karma system is very good there's one place called paridise falls where if you have bad karma you talk to the guard chose the karma speach option and you can just go straight in where if you have good or nutral karma you have to do a quest to enslave people to get into it. Also the custom wepon system is also very good you get blue prints for a wepon for example the shishkebab a fire sword and you have to get a a gas tank hand brake and other things like that and after you found them you just goto a workbench and create it and all difrent skills like repair pick up two of the same wepon and you can repair it to increse the damadge and value! Which is why out of all the game's this is the one you should buy and are almost guaranteed to play it for longer than call of duty 5.

Snitches And Glitches

Saturday, 24 January 2009